Frances
McDormand, Joe Spano, Cliff DeYoung, Bill Irwin, Ted Neeley,
Rick
Cluchey, Robin Gammell, Susan Clark, Conor Lovett,
Barry
McGovern, Ted Neeley, David Payne, Linda Purl, Robin Pearson Rose,
Jenny
Sullivan, Bruce Weitz, Rudy Willrich
RUBICON
THEATRE COMPANY PRESENTS THE
FIRST-EVER
WEST
COAST
FESTIVAL CELEBRATING NOBEL PRIZE LAUREATE SAMUEL BECKETT
BECKETTFEST
2004
Actors
and directors from Canada, England, France, Germany, Ireland
and
the United States celebrate one of the major voices in 20th
century theatre!
Presented
in association with Manitoba Theatre Centre, Micheline and Albert
Sakharoff , the City of Ventura Office of Cultural Affairs and
Century Theatres
ALL
19 OF BECKETT’S PLAYS PRESENTED LIVE ON STAGE OR ON FILM; STAGE
ADAPTATIONS OF BECKETT’S POETRY AND PROSE; FILM SCREENINGS;
INTERVIEWS WITH FILMMAKERS; CELEBRITY READINGS; SYMPOSIA, AN
ART EXHIBIT AND
GALA
SPECIAL EVENTS!
BEGINS
SATURDAY, SEPTEMBER 18th
AT
RUBICON THEATRE IN
VENTURA
September 9, 2004
…
Ventura
…
Rubicon
Theatre Company presents BECKETTFEST 2004, the first major West
Coast festival featuring all 19 of Samuel Beckett’s plays
presented live on stage or on film. The festival begins September
18 and continues through October 3 with more than 100
opportunities to see a nd hear more than 30 events. The festival
includes stage adaptations of Beckett’s poetry and prose; a
star-studded “Beckett on Film” series; interviews with the
filmmakers; celebrity readings and special events; Brown Bag
Beckett lunchtime symposia, panel discussions and lectures; and an
art exhibit.
Says
Festival Director and Rubicon Producing Artistic Director Karyl
Lynn Burns, "This festival gives attendees a rare in-depth
opportunity to delve into the mind of one of the most influential
and important playwrights and literary figures of the twentieth
century - Nobel Laureate Samuel Beckett. BECKETTFEST will also
bring together artists and scholars from Canada, England, France,
Germany, Ireland and elsewhere in celebration of Beckett's
groundbreaking work. Some of the artists and participants worked
directly with Beckett and will share their knowledge and
experiences."
The
centerpiece of the festival is
Rubicon
’s production of WAITING
FOR GODOT, directed by internationally renowned German
Director Walter Asmus (Beckett’s Assistant on the landmark
Schiller Theatre production and longtime collaborator) and
starring Joe Spano, Cliff DeYoung, Ted Neeley and Robin Gammell
and which opened on Saturday, September 4th and
continues through Sunday, October 3rd
at
Rubicon
Theatre in
Ventura
. Godot has
received rave reviews. The show is a "Critic's
Choice" in the L.A. Times and was described as
"Extraordinary. Nothing short of a revelation." The
Ventura County Star called Godot, "Remarkable,"
"riveting" and "exquisite." The Santa Barbara
News-Press calls the play "A timeless masterpiece." And
the Tolucan Times praised the production's "brilliant
performances" and "ingenious direction."
Actors
and directors participating in BeckettFest 2004 are: German Walter
Asmus (who has staged the entire Beckett canon, including
production at Brooklyn Academy of Music, the Gate Theatre in
Dublin, on tour in the U.S., and recently in Shanghai); acclaimed
Canadian/American actress and Emmy Award-winner Susan
Clark; Rick Cluchey, the mainstay
of the San Quentin Drama Project whose first exposure to Beckett's
work was behind prison doors; respected stage and screen actor Cliff
DeYoung; Robin Gammell, whose long
list of credits include starring roles at the Old Globe and the
Guthrie; Guggenheim and MacArthur Fellowships Award-winner, and
multiple Tony nominee Bill Irwin;
Academy Award-winner Frances McDormand;
Paris-based actor Conor Lovett of the
Gare St. Lazare Players; Irish stage and screen star Barry
McGovern; Golden Globe nominee Ted
Neeley, best known for Jesus Christ Superstar; British
director David Payne, whose
credits include RSC and the National; acclaimed stage and TV
actress Linda Purl; Indie
Award-winning actress Robin Pearson Rose; Emmy
nominated actor Joe Spano; Rubicon Artistic
Associate Jenny Sullivan, whose credits include
Off-Broadway, the Long Wharf and Williamstown; Emmy Award-winning
actor Bruce Weitz; stage veteran Rudy
Willrich, and others.
In
addition to those artists above, other panelists and or/moderators
include Porter Abbott
(Professor of English, UCSB and noted Beckett scholar), Herbert
Blau (Founder of the San Francisco Actor’s Workshop and
KRAKEN, the experimental company which included Bill Irwin, Sharon
Ott and Julie Taymor ), John Blondell (Founder,
Lit Moon Theatre Company), Michael
Colgan (Artistic Director, The Gate Theatre in Dublin and
Principal in Blue Angel Films), Alan Mandell, who
has been directed as an actor by Beckett and who has recreated
Beckett’s stagings), James O’Neil (Founding
Artistic Director,
Rubicon
Theatre Company), Micheline
Sakharoff (Retired Professor of French Literature, Cal State
Northridge), Steven
Schipper (Artistic Director, Manitoba Theatre Centre), John
Slade (regional theatre director and educator) and others. Howard
Boroughs conducted a pre-festival interview with Walter
Asmus.
The
schedule of BECKETTFEST is
as follows:
PRE-FESTIVAL
INFORMANCES
September
2 – September 17
Preview:
“The Hitchhiker’s Guide to the First West Coast BeckettFest”
Discover
how best to fest with live program notes and a 15-minute preview
of coming events from
Rubicon
Artistic Directors
Karyl Lynn Burns
and James O’Neil. If
you love Waiting for Godot
– and you will! – stay after the show for a festival preview.
Hear behind-the-scenes stories, pick up a festival schedule and
get daily updates about BeckettFest 2004 activities and attendees.
Wednesdays
to Sundays, September 2 to September 17 following each performance
of “Waiting
for Godot”
Rubicon
Theatre, Yunker Hall,
1006
E. Main Street
,
Ventura
BECKETTFEST
-- The Special Events
SEPTEMBER
18
BeckettFest
Welcome Reception
Hosted
by Mayor Brian Brennan, City of
San Buenaventura
, the City of
Ventura
Office of Cultural Affairs,
Southern California
Wine and Spirits and the
Ventura
Visitors and Convention Bureau. Meet visiting dignitaries, local
representatives and BeckettFest guests from around the world.
Pick
up your welcome packet with an area map, a brochure of visitor
activities, and a discount card to local attractions, shops and
restaurants.
Saturday,
September 18,
5
pm
Austen’s
Lounge, Pierpont Inn & Racquet Club, 550 Sanjon,
Ventura
Free
hors d’oeuvres and
California
Central
Coast
wines; half-priced mixed drinks
SEPTEMBER
20
Director’s
Dinner: “To Boldly Go Where Beckett Has Gone Before”
Where
does the impulse for innovation come from? Who is doing
groundbreaking work in the theatre now? In what environment can
this type of work develop and flourish? Six directors share their
thoughts and opinions about the future of world theatre: Walter
Asmus (renowned German Director who was Beckett’s longtime
collaborator beginning with the famous Schiller Theatre
production), John Blondell (Founding Artistic Director of Lit Moon
Theatre Company and Festival), Michael Colgan (Artistic Director,
The Gate Theatre in Ireland), British director David Payne
(Founder of Nomad Theatre Company); Steven Schipper (Artistic
Director, Manitoba Theatre Centre, Canada); and James O’Neil
(Founding Artistic Director,
Rubicon
Theatre Company). Facilitated by
Karyl Lynn Burns
, Producing Artistic Director,
Rubicon
Theatre Company. Guests enjoy a tasting menu specially prepared by
French Chef Didier Poiriot.
Monday,
September 20,
5
pm
71
Palm French Restaurant, Upstairs Dining Room,
71
Palm St.
,
Ventura
$250
per person ($150 of which is a tax-deductible contribution to
RTC’s Innovation Initiative); free to
BeckettFest
Premium
Pass
Patrons.
Advance
reservations required.
SEPTEMBER
21
Rubicon
Theatre West Coast BeckettFest Gala
Michael
Colgan, Artistic Director of the Gate Theatre in
Dublin
directs Barry McGovern, Irish star of stage and screen, and
American stars Bill Irwin (multiple Tony nominee), Academy
Award-winner
Frances
McDormand and Emmy Award-winner Bruce Weitz in a 45-minute staged
reading of excerpts from Samuel Beckett’s plays, novels and
poems. After the reading, meet the artists at a three-course
sit-down dinner-under-the-stars in Nona’s, the romantic Italian
courtyard restaurant inside the Bella Maggiore Inn.
Tuesday,
September 21,
6:30
pm
Rubicon
Theatre, Yunker Hall, 1006 E. Main St. and Nona’s at the Bella
Maggiore Inn, 67 S. California St.,
Ventura
$75
for reading; $175 for reading and dinner with artists
Black-tie
optional. Advance reservations required.
OCTOBER
3
Post-Festival
Wrap Party
Before
bidding adieu to newfound friends from the Festival, join us for a
farewell gathering.
Sunday,
October 3,
7:30
pm
Austen’s
Restaurant at the Pierpont Inn and Racquet Club, 550 Sanjon,
Ventura
Complimentary
hors d’oeuvres and non-alcoholic beverages; no host bar
BECKETTFEST
– THE PLAYS
All
stage performances for BeckettFest are presented in the intimate
200-seat historic
Rubicon
Theatre. Seats for Waiting
for Godot are reserved, with open seating for all other
productions.
“Waiting
for Godot”
Instilled
with a large dose of Irish wit, Samuel Beckett’s groundbreaking
“play about nothing” explores the delicate line between hope
and despair as two tramps wait by the side of a deserted road for
a salvation that never comes. As they question, argue and
complain, comedy rises to tragedy in a predicament reflecting
humanity’s search for meaning. The play that changed the course
of dramatic writing in the 20th century is directed by
internationally-renowned director Walter Asmus, and features Emmy®
Award-winning actor Joe Spano as Vladimir, television and stage
actor Robin Gammell (Guthrie/Old Globe) as Estragon, Cliff DeYoung
(Broadway/
Rubicon
’s “Art”) as Pozzo, and Ted Neeley (stage and film versions
of “Jesus Christ Superstar”) as Lucky.
Directed by renowned German director and Beckett’s longtime
collaborator Walter Asmus. Asmus
has directed the entire Beckett canon and helmed acclaimed
productions at BAM and the Gate production which toured
internationally (recently to
Shanghai
).
Sat.,
Sept. 18, 8 pm; Sun., Sept. 19, 2 pm; Wed., Sept. 22, 7 pm
(talkback with actors and director after the show); Thurs., Sept.
23, 8 pm; Fri., Sept. 24; Sat., Sept. 25, 2 & 8 pm; Sun.,
Sept. 26, 2 pm; Wed., Sept. 29, 7 pm; Thurs., Sept. 30, 10 am
(special student matinee with post-show talkback); Thurs., Sept.
30, 8 pm; Fri., Oct. 1, 8 pm; Sat., Oct. 2, 2 pm & 8 pm;
Sunday, Oct. 3, 2 pm
Ticket
prices for Godot are as
follows: Wednesdays at
7 pm
, Thursdays at
8 pm
, and Saturdays and Sundays at
2 pm
- $35; Fridays at
8 pm
- $40; Saturdays at
8 pm
- $45. Tickets for all other productions (listed below) are $35.
Student tickets are $15; $10 for student groups of 12 or more.
Study guides are available for high school and college
teachers.
“Happy
Days”
Now
children… some days are happy… some days are sad. But how do
you feel when you’re buried up to your neck in dirt? Winnie, the
eternal optimist faces the harsh realities of the world with a
smile and impenetrable cheerfulness. With aching and audacious
humor, Beckett probes humankind's search for meaning and questions
the ties that bind. Jenny Sullivan, whose credits include
Off-Broadway, Williamstown, the
Long
Wharf
and Pasadena Playhouse, directs award-winning actors Robin Pearson
Rose and Rudolph Willrich.
Sun.,
Sept. 19, 7 pm; Thurs., Sept. 23, 2 pm; Sun., Sept. 26, 11 am;
Mon., Sept. 27,
3
pm
(post-show “Happy Talk” – a discussion with director and
actors); Sat., Oct. 2,
5:30
pm
(post-show “Happy Talk” downstairs - $25 gourmet box supper
available with advance reservations).
“Rockaby”
and “Footfalls”
Beckett
explores the relationships between mothers and daughters. In
Rockaby a woman recounts her life from a rocking chair. In Footfalls,
a daughter paces repeatedly as she tends her beloved sick mother
British Director David Payne directs Emmy®
Award-wining actress Susan Clark, and Walter Asmus directs
acclaimed actress Linda Purl (Blanche in
Rubicon
’s acclaimed Streetcar)
and Karyl Lynn Burns in these compelling short pieces.
Mon.,
Sept. 20, 3 pm (post-show discussion with the director and
actress); Thurs., Sept. 23, 4:30 pm; Sun., Sept. 26, 5 pm
(post-show discussion); Mon., Sept. 27, 7 pm; Sun., Oct. 3, 5:30
pm
“Cliff
DeYoung in the Collected Works of Samuel Beckett”
This
one-man compilation, originally created by Beckett’s favorite
actor Jack McGowran, was presented in the
U.S.
for the first time in 30 years in
L.A.
in 2002 with renowned actor Cliff DeYoung (also Pozzo in
Rubicon
’s Waiting for Godot).
Rubicon
Theatre brings this unique theatrical event to life once again.
The Los Angeles Times
says, “DeYoung brilliantly mines Beckett’s irony, despair and
absurdity.” Directed by Dennis Redfield.
Tues.,
Sept. 28,
7
pm
(post-show talkback); Fri., Oct. 1,
2
pm
“The
Beckett Trilogy (Molloy, Malone Dies and The Unnamable”)
Samuel
Beckett's brilliance as a dramatist has tended to overshadow his
gifts as a novelist, yet he's unmistakably one of the great
fiction writers of the 20th century. Beckett considered
this trilogy to be his masterpiece, as did the New
York Times Book Review: “More powerful and important than Godot...
Beckett is one of the most positive writers alive. Behind all his
mournful blasphemies against man there is real love. And he is
genuine: every sentence is written as if it had been lived."
Judy
Hegarty, Artistic Director of the Gare St. Lazare Players, directs
Paris-based actor Conor Lovett in the American premiere of this
monumental and moving stage adaptation of Beckett’s prose, which
recently received rave reviews in
Europe
. According to the Irish Times, Lovett's work is "...at
once utterly respectful and completely original. Lovett completely
inhabits the sound and spirit of Beckett's work. At the same time,
he frees it from the captivity of those commanding early
performances. The result is a cold, hard jewel of a performance,
an absolutely riveting experience that, if it ever comes your
way, is worth dropping everything to encounter."
Mon.,
Sept. 20,
7
pm
;
Fri., Sept. 24,
3
pm
“A
Piece of Monologue”
Renowned
German Director Walter Asmus, who was Samuel Beckett’s assistant
of many years, directs this production created just for the West
Coast BeckettFest with acclaimed Irish actor Conor Lovett, in
which a speaker tells a fragment of a story about birth and death.
This piece is regarded as one of Beckett's most personal works.
Sun.,
Sept. 26, 7 pm; Tues., Sept. 28,
2
pm
(post-show talkback)
“Krapp’s
Last Tape”
A
slovenly old man sits alone at a desk, surrounded by boxes of
tapes and a single recorder. The tormented Krapp records a
self-deprecating and conflicted diatribe of longing, hopelessness
and regret on the occasion of his 69th birthday. Rick
Cluchey, who has been the mainstay of the San Quentin Drama
Project for 40 years, stars in a revival of the production
originally staged by Beckett himself.
Wed.,
Sept. 29,
5
pm
;
Thurs., Sept. 30,
2
pm
BECKETTFEST
“BROWN BAG BECKETT” LUNCHTIME
LECTURES
AND DISCUSSIONS
“Beckett
First-Person”
New York
Times syndicated
columnist Ivor Davis interviews Walter Asmus, who offers a short
biography and personal observations of Samuel Beckett. Mr. Asmus
was Samuel Beckett’s Assistant on the famous Schiller Theatre Godot
in
Germany
, and has directed productions at Brooklyn Academy of Music, the
Gate Theatre in
Ireland
, and recently in
Shanghai
. He directed Roman Polanski in a critically hailed film version
of "Godot," and directed “Footfalls” for the Beckett
on Film Series for Irish Television.
Sat.,
Sept. 18,
Noon
;
Rubicon
Theatre Downstairs
“Gee,
How Lucky Can You Get?”
Tom
Jacobs of the Santa Barbara
News-Press and Backstage
West interviews four actors who have played Lucky in Waiting
for Godot: Conor Lovett,
Bill Irwin, Ted Neeley, Barry McGovern talk about the meaning
of the monologue, what that long white hair is all about, and
their individual approaches and experiences playing the role. Mr.
Lovett played the role recently on tour in
Shanghai
. Bill Irwin played the role in the Mike Nichols production on
Broadway (with Robin Williams and Steve Martin). Mr. Neeley plays
the role in the current
Rubicon
Theatre production. Barry McGovern first assayed the role at the
Gate Theatre in
Ireland
. Cliff DeYoung, who performs Lucky’s monologue in his one-man
show, also offers insights into the role, as does Walter Asmus
(who has directed the production on numerous occasions, including
a film version with Roman Polanski as Lucky).
Mon.,
Sept. 20,
1
pm
;
City Hall
“After
Beckett: Or, The Commodius Vicus of Beckett: Vicissitudes of the
Arts in the Science of Affliction.
Herbert
Blau, founder of the San Francisco Actor’s Workshop and KRAKEN,
the experimental theatre company which included Bill Irwin, Sharon
Ott and Julie Taymor, offers a scintillating essay which he
presented to wild interest and acclaim for the Beckett Festival in
Sydney
exploring the future of experimental theatre and discussing the
Beckett’s of the current and next generation.
Tues.,
Sept. 21,
1
pm
;
City Hall
“Directing
Beckett on Film”
Critics
and purists argue that Beckett’s works for stage should never be
translated to other mediums. Enjoy a lively discussion with
Michael Colgan of Blue Angel Films, producer of the “Beckett on
Film” series, Walter Asmus (“Footfalls” for that same
series), and other film directors TBA who offer their perspective
on the subject as they also share the challenges and joys of
translating Beckett’s work from stage to film.
Wed.,
Sept. 22,
Noon
;
City Hall
“The
World of Samuel Beckett”
Costume
designers Ann Bruice (South Coast Rep/ACT), Marcy Froehlich (BeckettFest);
Ovation Award-winning lighting designer Jeremy Pivnik (BeckettFest)
and Kristie Roldan (Rockaby);
fine artist and paper sculptor Leo Monahan; set designer Jeff G.
Rack (Waiting for Godot);
and Leslie Finlayson (Lit Moon Theatre Company), describe their
approach to creating a physical environment for Beckett’s plays.
Thurs.,
Sept. 23,
Noon
;
City Hall
“Beckett
Time”
Scholars
Micheline Sakharoff, Ph.D. and Porter Abbott, Ph.D. join musicians
and actors Cliff DeYoung and Ted Neeley and director Walter Asmus
in an examination of the musical nature of Beckett’s works --
the silences and the cadence of the language, as well as
Beckett’s particular use of time and space.
Fri.,
Sept. 24,
1:30
pm
;
City Hall
“’…They
Want to be Entertained’!: Performing Beckett”
Don’t
miss this enlightening lecture with the great Irish stage and film
star Barry McGovern. Q & A moderated by Karen Lindell, Theatre
Writer, Ventura County Star.
Sat.,
Sept. 25,
Noon
;
Rubicon
Theatre Downstairs
“Acting
Beckett on Stage”
Susan
Clark, Robin Gammell, Linda Purl, Conor Lovett, Robin Pearson
Rose, Joe Spano and Rudolph Willrich engage in a panel discussion
about acting in Beckett’s works. Facilitated by
Rubicon
Company Member Joseph Fuqua.
Mon.,
Sept. 27,
1
pm
;
City Hall
“The
San Quentin Drama Group”
Inspired
by the San Francisco Actors Workshop staging of Samuel Beckett's Waiting
for Godot at San Quentin
Prison on November of 1957, the inmates formed a drama group. Over
a ten-year period this workshop presented some 35 plays for their
prison audience. Steven Leigh Morris, Theatre Editor of the L.A.
Weekly, interviews actor Alan Mandell, who was a part of that
landmark Actor’s Workshop production, and Rick Cluchey about
this astounding and true story. Because of his involvement in the
Drama Group, Cluchey, who was an inmate at the time, was pardoned
by the Governor of California and has made presenting Beckett’s
works to prisoners and to young people in juvenile detention
centers his life’s work.
Tues.,
Sept. 28,
Noon
;
City Hall
“Directing
Beckett for the Stage”
Veteran
directors Walter Asmus (renowned German director and Beckett’s
former assistant), David Payne (Royal Shakespeare Company/National
Theatre), Alan Mandell (numerous Beckett plays here and abroad,
including recreating Beckett’s staging) and John Slade (Santa
Susana Rep, who also recently directed high school students in a
moving production of Waiting
for Godot) discuss their individual and varied approaches to
presenting Beckett’s work on the stage. Facilitated by Jenny
Sullivan,
Rubicon
Artistic Associate.
Wed.,
Sept. 29,
1
pm
;
Rubicon
Theatre Downstairs
“A
Solitary Life”
Journalist
Tom Jacobs of Santa Barbara
News-Press and Backstage
West facilitates a conversation about the themes of loneliness
and isolation in Samuel Beckett’s work with Walter Asmus,
renowned German director who was Beckett’s assistant and who has
directed the entire Beckett canon; actor and director Alan Mandell,
Rubicon
Artistic Associate Jenny Sullivan; and Porter Abbott, Ph.D.,
Beckett scholar and author and Professor of English at the
University of California, Santa Barbara.
Thurs.,
Sept. 30,
Noon
;
City Hall
“Knowing
the Unknowable, Naming the Unnamable: Religious Themes and Images
in Beckett’s Writings”
Religious
leaders in our community share their spiritual perspective on Waiting
for Godot and Endgame. They discuss the religious
references and symbols in the pieces and draw conclusions about
the meaning of life and the nature of existence. Waiting
for Godot and Endgame
will be the primary focus of this discussion. Moderated by John
Blondell, Professor,
Westmont
College
and Artistic Director, Lit Moon Theatre Company and Festival.
Fri.,
Oct. 1,
Noon
;
City Hall
“Before
and After Beckett: Samuel Beckett’s Influence on Pinter,
Stoppard, Albee, Mamet and Other Modern Dramatists”
Panel
discussion with British
director David Payne (Royal Shakespeare Company, also Founding
Artistic Director of Nomad Theatre Company); Jessica Kubzansky,
Co-Artistic Director, Boston Court Theatre; and scholar Micheline
Sakharoff. Facilitated by Porter Abbott, Professor of English,
UCSB and author.
Sat.,
Oct. 2,
Noon
;
Rubicon
Theatre Downstairs
BECKETT
UNBOUND SERIES – DINNER LECTURES AND INTERVIEWS
Dinner
discussions and interviews with scholars, historians, actors,
designers and others on various topics related to Samuel Beckett.
All meals prepared by
Regina
’s
Quality Catering. Presented at
Rubicon
Theatre in the Ventura County Star Rehearsal Room downstairs in
Laby Hall,
1006
E. Main St.
,
Ventura
.
“Beckett
Basics”
An
accessible, interactive lecture about Samuel Beckett’s life
history, the influences of his
time and culture, a short overview of his plays and novels, a
discussion of his themes, and his impact on current literature and
society. Presented by Micheline Sakharoff, Ph.D., Retired
Professor of French Literature,
Cal
State
Northridge.
Sun.,
Sept. 19,
5:30
pm
$25
includes lecture and a gourmet box supper of cold poached salmon
available with advance reservations; open seating
“Sam
and Me: Beckett Beyond Biography”
Michael
Colgan, Artistic Director of the Gate Theatre in Dublin and talks
about meeting and working with Samuel Beckett and his personal
passion for Beckett’s work – a passion which has driven him to
produce multiple festivals, plays and films on, by and about
Beckett.
Thurs.,
Sept. 23,
6:15
pm
$25
includes the interview, Q & A, and a meal of Irish stew, brown
bread and Guinness with advance reservations; open seating
BECKETT
ON FILM
Audiences
at film festivals from Cannes to Toronto to Venice have
been transfixed by this “Beckett on Film” series,
conceived and produced by Michael Colgan, Artistic
Director of the Gate Theatre in Dublin and Alan Maloney,
both of Blue Angel Films. With RTE4 and the Irish Film
Board, they filmed all 19 of Samuel Beckett's plays,
bringing together a “Who’s Who” of the most
distinguished actors and directors working in theatre and
film today. Directors include Atom Egoyan (“The Sweet
Hereafter”), Neil Jordan (“The Crying Game”),
director and playwright Conor McPherson (“The Weir”),
Pulitzer Prize-winning playwright and film director David
Mamet (“Glengarry Glen Ross”), artist Damien Hirst,
Anthony Minghella (“Truly, Madly Deeply”) and Karel
Reisz ("The French Lieutenant's Woman"). The
exceptional acting talent includes Michael Gambon, the
late John Gielgud, John Hurt, Jeremy Irons, Julianne
Moore, Harold Pinter, Alan Rickman, Juliet Stevenson,
Kristin Scott Thomas and many others.
All
performances are at the Ventura Downtown Century Theatres,
555
E. Main St.
,
Ventura
.
Films are $10 per ticket; open seating.
|
“Endgame”
The
ultimate Beckett. Who is the mysterious man with the red face? Is
he a man at all? Something more? Or less? You decide. Beckett asks
the questions. You find the answers. Or do you? Just remember, Endgame
is a mind game. Do you dare to play? Conor
McPherson directs Michael Gambon , David Thewlis and an
outstanding cast. “Hopefully, the film will demystify Beckett's
reputation for being hard going,”
says McPherson. "I just wanted to make sure it was funny,
because, if it was funny, it could be understood. It's a comedy, a
bittersweet comedy.”
Mon.,
Sept. 20, 10 am; Fri., Sept. 24, 10 am; Thurs. Sept. 30,
5:30
pm
;
84 minutes
“Play”
and “Krapp’s Last Tape”
Anthony
Minghella directs Alan Rickman, Kristen Scott Thomas and Juliet
Stevenson in thrilling tour de force performances in “Play,”
the story of a love triangle where each character narrates a
bitter history and their role in it; ollowed by John Hurt’s
exquisite rendition of “Krapp’s Last Tape,” directed by Atom
Egoyan.
Mon.,
Sept. 20,
10:30
pm
;
Fri., Sept. 24,
10:30
pm
;
Thurs., Sept. 30,
10:30
pm
;
70
minutes
“
Ohio
Impromptu,” “Not I” “Rough for Theatre I and II”
“Ohio
Impromptu” captures that universally human emotion of losing the
one you love the most and expresses it in its purest and most
terrifying form. “Rough
for Theatre I” features a blind man and a physically disabled
man, who meet by chance and consider the possibility of joining
forces to unite sight and mobility in the interests of survival. In
“Rough for Theatre II,” two men try to assess the life of a
third, who is ready to jump out of the window. Jeremy
Irons, Julianne Moore, Milo O’Shea and other remarkable actors
illuminate these provocative plays.
Tues.,
Sept. 21, 10 am; Sat., Sept. 25, 5 pm; Fri., Oct. 1,
10:30
pm
;
84 minutes
Documentary:
"Check the Gate: Putting Beckett on Film"/Discussion
with the Filmmaker
New
York Times syndicated columnist Ivor Davis introduces this
documentary with filmmaker Michael Colgan, Principal in Blue Angel
Films and Artistic Director of The Gate Theatre in Dublin.
Following the documentary, Mr. Colgan will answer audience
questions about this epic and important undertaking which was
described as one the “Best Film Series of the Year” by both
the New York Times and Entertainment
Weekly.
Wed.,
Sept. 22,
3
pm
;
52 minutes
“Breath,”
“What Where,” “Come and Go,” “Acts Without Words I and
II,” “That Time”
Shorts
from the series the New
York Times called “stunning,” with Susan Fitzgerald, Sean
Foley, the late John Gielgud and some of the finest actors and
directors in the world.
Wed.,
Sept. 22, 10 pm; Sat., Sept. 25, 10:30 pm; Sat., Oct. 2,
10
am
;
82 minutes
VISUAL
ART EXHIBIT
Paper
Sculptures by Leo Monahan, Fine Artist and Set Co-Designer for Waiting
for Godot
Mon.
– Sun., Sept. 18 to Oct. 3, 10 am to 5 pm, 30 minutes prior to
each show and during intermission.
Reception
with the artist on Sun., Sept. 19,
4:30
pm
Rubicon
Theatre Company, Laby Hall Downstairs,
1006
E. Main St.
,
Ventura
BECKETTFEST
– THE ACTORS
SUSAN
CLARK (Woman
in “Rockaby”) studied at the Royal Academy
of Dramatic Art in
London
and worked in the English repertory system at
York
,
Newcastle
, and Sunderland Shakespeare Festival. Returning to
Canada
, she appeared in Hay Fever (Crest Theatre); Man and
Superman and Misalliance (Shaw Festival); and starred
in seven CBC Festival productions, including The Taming of the
Shrew, Mary of
Scotland
, and Hedda Gabler. A contract with Universal
Studios brought Ms. Clark to
L.A.
, where she starred in 20 feature films, including, “Tell Them
Willie Boy is Here,” “Coogan’s Bluff” and “Night
Moves.” She studied with Stella Adler and returned to the
theatre frequently, appearing in The Second Man, Sherlock
Holmes The Animal Kingdom and Amphitriyon 38
(Williamstown); Getting Out (Mark Taper Forum); Macbeth,
(Seattle Rep); Eleanor in Lion in Winter and The Vortex
(Walnut Street Theatre); The Sisters Rosensweig (George
Street Playhouse); Afterplay and the World Premiere of Bicoastal
Woman, (Pasadena Playhouse); and the U.S. Premiere of The
Body at The Matrix in Los Angeles. Her roles at
Rubicon
include Amanda in The Glass Menagerie, Mrs. Dudgeon in
Shaw’s The Devil’s Disciple,
Kate in Dancing at
Lughnasa, and Lady Bracknell in The Importance of Being
Ernest. Susan’s stage readings for
Rubicon
fundraisers include Lettice and Lovage and Christmas
Memories. Susan starred in 150 episodes of the hit comedy
“Webster,” as well as 15 MOW’s, including “Babe” (Emmy®
Award), “The Choice,” “Amelia Earhart” (Emmy®
Nomination) and “Butterbox Babies” (Gemini Nomination).
She is delighted to be participating in BeckettFest.
RICK
CLUCHEY (Krapp in “Krapp’s
Last Tape”), at the age of 70, has been the mainstay of the
San Quentin Drama Workshop for over 40 years and a directorial
collaborator of Samuel Beckett’s. Rick’s adult life began as a
boxer and small time criminal on
Chicago
’s Southside. At the age of 21, he was sentenced to life without
parole in San Quentin Prison for his role in a botched
Los Angeles
armed robbery in which his victim was injured. Years later, he
received word of Governor Jerry Brown’s pardon for him in Samuel
Beckett’s presence in the midst of their working collaboration. The
distance he traveled between these two points is just one of the
elements that makes Rick’s story so astonishing. The 1998 film Weeds,
starring Nick Nolte, is based on Rick’s life. In 1957, the San
Francisco Actors Workshop produced a landmark production of
Beckett’s Waiting for Godot at San Quentin with Alan
Mandell and Jules Irving (directed by Herbert Blau). The strange
play had an overwhelming effect on the convicts who witnessed it.
A group of convicts then petitioned the Warden to allow them to
start a workshop at the prison for its rehabilitative
possibilities. Rick began to read Beckett’s work and to educate
himself in theatre literature. He studied with Alan Mandell, who
came weekly to the prison and who became the co-founder of the San
Quentin Drama Workshop. Because of Rick’s good conduct and the
support of the chaplain, who had helped him to rediscover his
Catholic faith, Rick’s cell restrictions were lifted and he
began to participate in the workshop’s night rehearsals, both
acting and directing. A milestone in the workshop’s development
came with an in-house staging of Waiting for Godot, to
which the
San Francisco
actors were invited. Rick lobbied to mount performances of other
Beckett plays and soon produced both Endgame and Krapp’s
Last Tape. He later tried his hand at playwriting and created
an ‘agit-prop’ play entitled Le
Cage in a mythical French prison. “Cells mean life. Cages
mean death.” Ken
Kitch, the San Francisco Actors Workshop director who had been
working with the prisoners, decided to produce The Cage at
the theatre across the Bay. Although Rick could not attend his
opening night, his play created a sensation for “The Prison
Playwright.” Though a combination of his spotless prison record,
his work for the chaplain, his leadership of the San Quentin Drama
Workshop, and relentless lobbying by the chaplain and members of
Actors Workshop, Governor Edmund Brown paroled Rick Cluchey during
his final days in office, and Rick was released after 12 years in
San Quentin. For his
parole work, Rick worked for the halfway organization Seventh Step
that sought to assist the ex-convicts in their transition from
jail to freedom through theatre work. Rick then became head of The
Barbed Wire Theater, a group of ex-con actors who toured the
nation, raising the public’s consciousness about the conditions
in the nation’s prisons.
The
group performed at the Edinburgh Festival and Rick remained
abroad. There, Rick discarded the Barbed Wire name and the group
became what it always had been: The San Quentin Drama Workshop (SQDW).
Rick persuaded the U. S. Information Agency in
Paris
to host his production of Endgame and invited Beckett to
attend. Beckett was already aware of Rick’s history and his
consuming passion for the Irishman’s work. Beckett further had a
special feeling for inmates because of his wartime experiences in
the French Resistance. The two men met and hit it off and Beckett
invited Rick to observe his staging of Waiting for Godot in
Berlin
. This association eventually led to Beckett’s decision to
direct Rick and members of the SQDW in definitive English language
productions of Waiting for
Godot, Endgame and Krapp’s
Last Tape between 1977 and 1988. Rick got to work so
intimately with Beckett that people jokingly referred to him as
“Beckett’s stepson.” Along
with The Cage, these three plays became the basis of the
SQDW’s repertory and the group successfully toured the world
presenting the Beckett trilogy as Beckett Directs Beckett.
In the course of all this work, Rick was also a member of
the Obie® Award-winning cast of David Mamet’s
Edmond
that played in
Chicago
and
New York
in the mid-Eighties. After Beckett’s death, Rick began the
filming of the Beckett Directs Beckett.
In the ’90s, Rick resettled in
Los Angeles
. He directed several of Beckett’s shorter pieces and continued
to tour in Krapp’s Last Tape and The Cage. He
continues his work as a guest artist and lecturer at colleges,
universities and juvenile detention centers. Rick completed his
memoir “From the Dead” in 2004. His produced plays include Le
Cage, The Cage, The
Wall is Mama, The Bug,
Aout, Shepherd’s
Song, Strike 1992, Homeland
2002 and Aout 2002.
CLIFF
DeYOUNG (Pozzo in
“Waiting for Godot”/Man in
“Collected Works”) appeared on Broadway in the original
production of Hair and
in the Tony® Award-winning drama Sticks
and Bones by David Rabe. He played Marc in Yasmina Reza’s Art
on stage with
Rubicon
last season. Cliff made
his television debut starring in the TV film and subsequent series
“Sunshine.” His television movies and miniseries roles include
Charles Lindbergh in “The Lindbergh Kidnapping Case” with
Anthony Hopkins, Robert F. Kennedy in “King” and John F.
Kennedy in “Robert Kennedy and his Times.” Other notable
appearances include roles in the ABC series “Relativity,” the
mini-series “Centennial,” “Master of the Game,” Stephen
King’s “The Tommyknockers,” “Seduced by Madness: The Diane
Borchardt Story” opposite Ann-Margaret and “The Last Don.”
He appeared in three television films with director John
Frankenheimer: “
Andersonville
,” “George Wallace”
and “Path to War.” On the big screen, Cliff has appeared in a
wide variety of films, including the Oscar®-nominated
“Glory,” ‘The Suicide Kings,” “Independence Day,”
“F/X,” “Protocol,” “The Hunger,” “The Substitute,”
“The Craft,” “Flashback,” “Harry and Tonto,” “Blue
Collar,” and “Shock Treatment,” the sequel to “Rocky
Horror Picture Show” in which he played Brad. He has
guest-starred in over 50 TV series’ including “The Wet
Wing,” “The District,” “CSI,” “JAG,” “Alias,”
“The Practice” and “The X Files.” More recently, Cliff has
been seen on the small screen opposite Mia Farrow in “The Secret
Life of Zoey” and Hallmark’s Love’s Enduring Promise.”
Cliff lives in
L.A.
with his wife Gypsi and
16-year-old daughter Manzi.
ROBIN
GAMMELL (Estragon in
“Waiting for Godot”) makes his
Rubicon
debut with this production. Robin’s extensive theatre credits
include Cinders, Hamlet
and The Tempest at the
New York Shakespeare Festival; Hedda
Gabbler at The Shakespeare Theatre; Temptation,
Largo Desolato, Chekhov
in Yalta and Twelfth
Night at the Mark Taper Forum/Center Theatre Group; Arturo
Ui, House of Atreus,
Homecoming and Tango
at the Guthrie Theatre; Richard
III, The Soldier’s
Tale and Arturo Ui
at the Long Wharf Theatre; School
for Scandal, Cymbeline,
Italian Straw Hat, King
Lear, A Midsummer
Night’s Dream at the Stratford Festival in Canada; Peer
Gynt at the Sheffield Playhouse; and the title role in Julius
Caesar at The Old Globe. Robin was a founder of the Matrix
Theatre Company in
L.A.
, where he appeared in Endgame,
Waiting for Godot, Dangerous
Corner,
Mad
Forest
and The Tavern. He is
also a founding member of ACT, where his credits include Six
Characters in Search of an Author, King
Lear, The Devil’s
Disciple, Beyond the
Fringe and Samuel Beckett’s Endgame.
Internationally, Robin appeared in
Alma
with Teatro Aldui in
Venice
,
Italy
. On film, Gammell has appeared in “Dave,” “Guilty by
Suspicion,” Circle of Two,” Bulworth,” “Austin Powers,”
“Full Circle,” Sister Act II” and “Star Chamber,” among
others. His television credits include “Providence,”
“Judging Amy,” “The Practice,” “If These Walls Could
Talk,” “WIOU,” “The Commish,” “Civil Wars,” “Party
of Five,” “Star Trek,” “Amazing Grace, “Lincoln, The
Blue and the Gray” and “Raid on Entebbe.”
BIL
IRWIN (Ensemble for
Gala Reading) as
an original member of KRAKEN, directed by Herbert Blau, and the
Pickle Family Circus of San Francisco, where he worked with Larry
Pisoni and Geoff Hoyle. He is an associate artist with the
Roundabout Theatre Company. On Broadway, Bill appeared in The
Goat, or, Who is Sylvia? directed by David Esbjornson), Fool
Moon (with David Shiner), Largely New York (an original
work nominated for five Tony® Awards, Drama Desk and
Outer Critics Circle awards),
The Regard of Flight, Accidental Death of an
Anarchist and
5-6-7-8 Dance! Bill’s Off-Broadway credits include Scapin,
The Tempest (directed by George C. Wolfe), Garden of
Earthly Delights (directed by Martha Clarke) and A Flea in
Her Ear (directed for Roundabout Theatre). He has also
appeared Off-Broadway in Samuel Beckett’s Waiting for Godot (directed
by Mike Nichols), and in Texts for Nothing (first adapted
and directed by Joseph Chaikin, then as director and performer of
a second version). Bill’s regional credits include The
Seagull (directed by Des McAnuff), A Man's a Man (directed
by Robert Woodruff), 3 Cuckolds (co-directed with Michael
Greif), Waiting for Godot (directed by Doug Hughes) and The
Regard of Flight. Mr. Irwin’s TV credits include "Third
Rock from the Sun," "Northern Exposure,"
"Sesame Street," "Elmo's World,"
"Saturday Night Live," "The Tonight Show,"
"The David Letterman Show," "The Regard of
Flight" (Great Performances), the Closing Ceremony of the
1996 Olympic Games and "The Cosby Show." For HBO, he was
pleased to appear in "The Laramie Project" (directed by
Moisés Kaufman), "Subway Stories" (directed by Jonathan
Demme) and "Bette Midler: Mondo Beyondo" (directed by
Thomas Schlamme). His film credits include The Manchurian
Candidate, Popeye,
Eight Men Out, Silent Tongue, Illuminata, My Blue Heaven, A New
Life, Hot Shots, Scenes from a Mall, Stepping Out, How the Grinch
Stole Christmas and Igby Goes Down. He has
appeared in the music videos "Don't Worry, Be Happy,"
(Bobby McFerrin) and "Let Me into Your Heart" (Mary
Chapin Carpenter). The Signature Theatre Off-Broadway dedicated
their entire season to the work of Mr. Irwin last year. His
upcoming projects include a Broadway revival of Who’s
Afraid of Virginia Woolf with Kathleen Turner. Mr. Irwin has
been the recipient of the National Endowment for the Arts
Choreographer's Fellowship, as well as Guggenheim and MacArthur
Fellowships.
CONOR
LOVETT (Actor in
“Trilogy”/Man in “A Piece of the Monologue”) was born
in
Dublin
and grew up in
Cork
. He trained at Ecole Jacques Lecoq in
Paris
. Conor recently played Lucky in the Gate Theatre’s production
of Waiting for Godot which
toured to
Shanghai
. Other Beckett roles include Hamm in Endgame, Vladimir in Waiting
for Godot, The Speaker in A Piece of Monologue, Bem in What
Where, The Man in Act Without Words 1 and B in Act
Without Words 2, A in Rough for Theatre 1 and readings
of extracts from various poetry and prose at the Gate’s Beckett
Festival in London. Conor’s other theatre work includes As
You Like It by William Shakespeare, The Duchess of Malfi by
John Webster, Early Morning by Edward Bond, Entertaining
Mr. Sloane by Joe Orton, Blood Wedding by Federico
Garcia Lorca, The Dumb Waiter, The Homecoming and Pinter
Shorts by Harold Pinter, Leonce and Lena by Georg
Buchner, Banana For A Boy King by Bob Meyer, The Three
Legged Fool by Anthony Ryan, Sharks, a creation by Lee
Sekulic Company, Orpheus after Orphee by Jean
Cocteau and The Proposal by Chekhov and Requiem for a
Heavyweight by Rod Surling, The Riot Act by Tom Paulin
and Poor Bitos by Jean Anouilh. For television he appeared
in the final series of Father Ted in an episode called The
Mainland and for the big screen he appeared in Moll
Flanders directed by Pen Densham.
FRANCES
McDORMAND (Ensemble for
Gala Reading) received the Academy® Award for her
performance in the film “
Fargo
,” however her first love has always been the stage. Fran
received her MFA from the Yale School of Drama in 1982 and began
to work in regional theatre. Her first Broadway role was as Hennie
on Broadway in Clifford Odet’s Awake
and Sing. Fran made her film debut in 1984 in the Coen
Brothers’ film “Blood Simple” (where she met her future
husband Joel Coen.) Fran returned to the stage in 1988, receiving
a Tony® Award nomination for her role as Stella in A
Streetcar Named Desire (with Blythe Danner and Aiden Quinn).
She later played Blanche Dubois in the Gate Theatre production of Streetcar
in
Dublin
. Fran co-starred in the television series “Legwork,” and had
a recurring role as Connie on “Hill Street Blues.” Fran
received her first Oscar nomination in 1988 for her role as a Klan
wife who testifies against a sheriff in Alan Parker’s
“Mississippi Burning.” Other film credits include in
“Raising Arizona,” “Darkman,” “Hidden Agenda,”
“Miller’s Crossing,” “Shortcuts,” “Paradise Road,”
“Madeline,” “Almost Famous,” “Wonder Boys,” “The Man
Who Wasn’t There, and “Something’s Gotta Give.”
Fran is currently shooting “Class Action,” in which she
co-stars with Charlize Theron. Fran was the jury president of the
Berlin Film Festival in 2004.
BARRY
McGOVERN (Ensemble for
Gala/Guest Lecturer) first appeared at the Gate Theatre as
Lucky in Waiting for Godot in
1972. He had previously played his first Beckett role, Clov in Endgame,
while a student in University College Dublin. Since then, he has
played Clov three times, most recently with the Gate as part of
the Beckett Festival which toured to
New York
and
London
. In 1982, he played
Vladimir
in Ben Barnes’ Irish Theatre Company production of Waiting
for Godot, and in 1988 he played Estragon at the Gate. Since
the first Beckett Festival in 1991, he has played
Vladimir
, most recently in
Beijing
and
Shanghai
. He also performed it on tour at UCLA in 2000. Other Beckett
roles include Willie in Happy
Days with Rosaleen Linehan (directed by the late Karel Reisz)
and Krapp’s Last Tape
at the Samuel Beckett Theatre in
Trinity
College
,
Dublin
. On radio he has played Henry in Embers
(with Billie Whitelaw), Fox in Rough
for Radio II, directed All
that Fall and presented a documentary Beckett
and Paris. Other theatre roles include Creon in Oedipus,
Frank in Educating Rita,
Caiaphas in Jesus Christ,
Superstar, Kreon
in Medea, Tobias in A
Delicate Balance, Dodge in Buried
Child, Frank Hardy in Faith
Healer, Austin in True
West, Scrooge in A
Christmas Carol at the Gate, Peter Flynn in The
Plough and the Stars at the Abbey, Polonius in Hamlet
and Chorus in Seamus Heaney’s version of Antigone,
The Burial at Thebes at
the Abbey. His TV work includes Giuseppe Conlon in “Dear
Sarah” and Eamond de Valera in “The Treaty.” Films include
“Joe Versus the Volcano,” “Far and Away,” “Braveheart,”
“The General” and “Waiting for Godot.” His award-winning
one-man Beckett show “I’ll Go On” (from the novels
“Molloy,” “Malone Dies” and “The Unnamable”), which
the Gate presented during the 1985 Dublin Theatre Festival, has
traveled worldwide. In 1998, he was conferred with an honorary
doctorate in Letters by
Trinity
College
,
Dublin
.
TED
NEELEY (Lucky in
“Waiting for Godot”) returns to
Rubicon
having previously originated the role of Willie in the world
premiere stage adaptation of Murder
in the First. Ted has been active in many facets of the arts
– as an actor, singer, rock-and-roll drummer, composer and
producer. He is best known for his starring role in Jesus
Christ Superstar on stage on Broadway and on National Tour. He
reprised that same role for
Rubicon
(the production which launched the company) and in the Norman
Jewison motion picture (for which he received Golden Globe®
Award nominations for Both Best Actor and Best Newcomer. Ted
appeared in both the Broadway and
Los Angeles
companies of Superstar
and Hair, as well as
productions of Sgt.
Pepper’s Lonely Hearts Club Band in
New York
and Tommy in
Los Angeles
. He composed music for and appeared in Robert Altman’s film
“A Perfect Couple,” and the NBC movies “Of Mice and Men”
and “McClaren’s Riders.” Ted performed the music for the
Tri-Star feature film “Blame it on the Night,” NBC-TV’s
“Highway to Heaven” and “The Big Blue Marble” for the
Children’s Television Network. He also wrote the music for and
starred in Cowboy Jack
Street at the Mark Taper Forum Lab in
Los Angeles
. Ted recently played the title role in a workshop production and
concept album of a new rock musical entitled Rasputin,
written by Michael Rapp, with James O’Neil as Czar Nicholas II
and Amanda McBroom as Alexandra. Ted currently lives in
Houston
with his wife Leeyan and two children Tessa and Zachariah.
LINDA
PURL (May in
“Footfalls”) last appeared at
Rubicon
in the acclaimed production of A Streetcar Named Desire. Her
Broadway credits include The Adventures of Tom Sawyer and Getting
and Spending. Off Broadway, Linda appeared in The Baby
Dance and
Hallelujah, Hallelujah., Linda’s regional credits
include The Little Foxes for
Rubicon
; Getting and Spending at the Old Globe Theatre; Dinner
with Friends at Actors Theatre of Louisville; The Road to
Mecca (with Julie Harris; directed by John Tillinger); The
Baby Dance (with Stephanie Zimbalist), at the Long Wharf, for
which she won the Connecticut Drama Critics’ Circle Award for
Best Actress; John Brown’s Body (directed By Peter Hunt),
at the Lobero Stage Company; Johnny on a Spot, Nora, All the
Way Home, Threepenny Opera, The Baby Dance (also at Pasadena
Playhouse), Williamstown Theatre Festival; The Real Thing (Drama-Logue
Award, Best Actress), Hedda Gabler, Mark Taper Forum;
Beyond Therapy (Drama-Logue Award, Best Actress), Romeo
and Juliet (dir. By Milton Katselas), L.A. Public Theatre; A
Doll’s House (Drama-Logue Award, Best Actress, Best
Producer), Allied International
Production
s; The Man Who Could See Through Time (Drama-Logue
Award), South Coast Repertory; The Merchant of Venice (Drama-Logue
Award), Globe Theatre; Grease, Sacramento Music Theatre; On
a Clear Day, San Bernadino Civic Light Opera, Oliver, The
King and I, Toho, Imperial Theatre (Japan). Film: “Mighty
Joe Young,” “Natural Causes,” “High Country,” “Leo and
Loree,” “W.C. Fields and Me.” Television: Over 30 movies of
the week including “The Professor” (PBS), “Born Free II,”
“Like
Normal
People.” Series regular: “First Monday” (with Joe Montegna),
“Robin’s Hoods,” “Undercover,” “Matlock,” “Happy
Days.” Radio: “Broken Glass,” “Nora” (with David Dukes),
“The Odd Couple,” for NPR; “
Milford
Haven” for the BBC. Solo CD: “Alone Together.” Concerts:
Luckman Hall,
Los Angeles
;
Pike’s Peak
Center
;
Colorado Springs
; White Barn Theatre,
Westport
,
CT
; Tokyo Imperial Theatre; Town Hall, NYC.
ROBIN
PEARSON ROSE (Winnie in
“Happy Days”) appeared on Broadway playing Ottilie in Hal
Prince’s production of The Visit, and Julia in Phillip
Barry’s
Holiday
. Off-Broadway, she appeared Nellie in the Roundabout
Theatre’s production of Summer and Smoke. Robin’s
regional theatre credits include Kate Keller in All
My Sons for
Rubicon
Theatre (Independent
Award), a role she also played at the Old Globe Theatre; Cornelia
in Carpetbagger’s
Children at South Coast Repertory Theatre, Ellen in King
of the Moon at La Mirada, Esme in Amy’s
View at Center Rep; Margaret Tynan (“Ma”) in Da,
Isobel in Voire Dire, Agnes in Dancing
at Lughnasa, Berna in Wonderful
Tennessee and Diedre in Remembrance
at the Old Globe Theatre; Juno
in Juno and the Paycock at
American Conservatory Theatre, Old Globe Theatre; The
Carpetbagger’s Children and Dragon Lady at South
Coast Repertory Theatre; Da, Voir Dire, Dancing at Lughnasa,
Wonderful Tennessee and Remembrance at The Old Globe
Theatre; Juno and the Paycock at American Conservatory
Theatre; Joined at the Head and King
of the Moon at La Mirada Civic; The Little Foxes at
Indiana Repertory Theatre; and Measure for Measure and
The Drunkard at Williamstown Theatre Festival. Some of her
film credits include Peter Weir’s “Fearless,” “Last
Resort” (opposite Charles Grodin), “Enemy of the People”
(opposite Steve McQueen), and
“Speechless” (opposite Michael Keaton). Robin’s television
credits include “Boston Public,” “Judging Amy,” “ER,”
“LA Law,” “Days and Nights of Molly Dodd” (recurring),
“Night Court” and “White Shadow” (series regular). Robin
is a graduate of the Yale School of Drama. She received an Indie
Award for her
Rubicon
debut earlier this season in All
My Sons.
JOE
SPANO (
Vladimir
in “Waiting for Godot”)
made his Broadway debut in the Roundabout Theatre revival of
Arthur Miller’s The Price with Eli Wallach and Hector
Elizondo, which was nominated for a Tony® Award for Best Revival.
His West Coast stage credits include Eduardo Pavlovsky’s Potestad,
David Mamet’s Speed the Plow and American Buffalo
(for which he was awarded an L.A. Drama Critics Circle Award),
Shaw’s The Devil’s
Disciple for
Rubicon
(Ovation nomination), and Sylvia
and Ancestral Voices,
also at
Rubicon
. Joe is a member of the Antaeus Theatre Company and a founding
member of three other theatre companies, including Berkeley
Repertory Theatre, where he recently appeared in The
Guys with Linda Purl and Sharon Lawrence. For seven years, Joe
starred as Lt. Henry Goldblume on the television series “Hill
Street Blues.” He also starred in the series’ “Mercy
Point,” “Amazing Grace” and “Murder One.” Joe has
starred in 20 films made for television and guest-starred on more
than 30 television shows. Joe won an Emmy® Award for
his 1989 performance on “Midnight Caller.” He appeared last
season as a recurring character on “NYPD Blue.” His feature
films include “American Graffiti,” “Apollo 13,” “Primal
Fear,” “Texas Rangers,” “Ticker” and “Hart’s War.”
Joe is past director for both the
Southern California
chapter of Families with Children from
China
and the Half the Sky Foundation, which brings early childhood
development training and infant nurturing programs to orphanages
in
China
. Joe is the proud father of Liana Clare Xiaohe Spano and Meili
Qing Spano.
BRUCE
WEITZ (Ensemble for
Gala Reading) has sixty theatre productions to his credit on
Broadway, Off-Broadway and in regional theatre. Broadway
highlights include Death of a Salesman with George C. Scott
and The Basic Training of Pavlo Hummel with Al Pacino. He
made his
Rubicon
debut last season in Art,
directed by Jenny Sullivan. Weitz has been seen in more than one
hundred feature films, TV movies and television shows. He is an
Emmy®
Award-winning actor for his role as Detective Mick Belker on
NBC’s “Hill Street Blues.” He has been nominated for eight
Emmy®
Awards, including one nomination each for the ABC mini-series
“Baby M” and a guest-starring role on the CBS series
“Midnight Caller.” Most recently, Weitz has had recurring
roles on “E.R.,” “Judging Amy” and “The Guardian.” He
holds an MFA in theatre from
Carnegie
Mellon
University
.
RUDOLPH
WILLRICH (Willie in
“Happy Days”) returns
to
Rubicon
having previously appeared in The Boys Next Door and Murder in
the First. Mr. Willrich’s other regional credits include in The
Countess, The Weir, Picasso at the Lapin Agile, The
Cripple of Inishmaan, The End of the Day, The Game
of Love and Chance, Sylvia A Doll’s House, Art,
A Life in the Theatre and Sight Unseen at
Ensemble Theatre Company. (He received Independent
Awards for the latter four.) Mr. Willrich’s recent
appearances include
Thief
River
by Lee Blessing and Bafo by Tom Strelich for Contemporary
American Theatre Festival in
West Virginia
. On Broadway, he appeared in Emperor Henry IV by Luigi
Pirandello, Dirty Linen and
Newfoundland
by Tom Stoppard and the original Noises Off by Michael
Frayn. In
Los Angeles
, he appeared in Benji Aerenson’s The Possum Play
(Taper II), As You Like It (L.A. Shakespeare Festival) and Rumors
by Neil Simon. His film and television appearances include
“What’s Love Got To Do With It.” “Steal Big Steal
Little,” “All My Children,” “Home Improvement,”
“Critical Condition,” “Rescue 77,” “Star Trek: The Next
Generation,” “Deep Space Nine,” “Family Law” and “The
Practice.”
BECKETTFEST
– THE DIRECTORS
WALTER
D. ASMUS (Director,
“Waiting for Godot,” “A Piece of Monologue” and
“Footfalls”/Lecturer/Panelist) is a distinguished German
theatre director. Walter worked with Samuel Beckett on many
occasions for the stage and television, beginning in 1974, when
they first met at the Schiller Theater in
Berlin
and Walter assisted Beckett on his famous production of Waiting
for Godot which toured internationally. Walter has directed
all of Beckett’s plays internationally, including Waiting for
Godot at the Brooklyn Academy of Music (BAM) in
New York
in 1978 with Austin Pendleton, Milo O’Shea and
Sam Waterston, and the Gate Theatre productions in 1988 and
1991 (the latter for the Gate’s Beckett Festival). It was
subsequently presented in
Chicago
,
Seville
,
New York
,
Melbourne
,
Toronto
,
London
, on tour in the
U.S.
in 2000, and most recently, in
Beijing
and
Shanghai
. Walter’s television work includes “Footfalls,”
“Rockaby” and “Eh Joe” with Billie Whitelaw, and a
French version of “Waiting for Godot” with Roman Polanski as
Lucky. He was co-organizer and Artistic Director of the
international festival Beckett in Berlin 2000, which took place in
September of that year. In 2000-2001, Walter directed the filming
of “Footfalls” with Susan Fitzgerald for the Beckett on Film
project in
Dublin
. Walter was a friend of Samuel Beckett’s until the writer’s
death in 1989. Walter is professor and head of the Acting
Department at the Hochschule fur Musik und Theater in
Hanover
,
Germany
. Walter’s upcoming projects include The
Lover by Harold Pinter, and in March, 2005, Endgame
by Samuel Beckett at the Dramatic Arts Center Theatre in
Shanghai
.
MICHAEL
COLGAN (Director,
Festival Gala/Lecturer/Panelist) has been the Artistic
Director of the Gate Theatre,
Dublin
,
Ireland
since 1982. He was born in
Dublin
and was educated at
Trinity
College
where as a student he became chairman of Trinity Players. Prior to
1983, he was a director at the Abbey Theatre, manager of the Irish
Theatre Company and Artistic Director of the Dublin Theatre
Festival. Michael has produced many award-winning productions at
the Gate, which have toured to over 20 countries. Noteworthy
productions include Salomé, directed by Steven Berkoff; Three
Sisters, directed by Adrian Noble and starring Sinead Sorcha
and Niamh Cusack; A Streetcar Named Desire starring Frances
McDormand; Port Authority, written and directed by Conor
McPherson; Afterplay written by Brian Friel, starring John
Hurt and Penelope Wilton; and Crestfall, written by Mark
O'Rowe and directed by Garry Hynes. He also produced three Pinter
Festivals and three Beckett Festivals. The first two Pinter
Festivals were produced at the Gate in 1994 and 1997 and featured The
Collection starring Harold Pinter, A Kind of Alaska
starring Penelope Wilton, and Ashes
to Ashes directed by Harold Pinter and starring Stephen Rea.
In 2001, he curated the Harold Pinter Festival at New York's
Lincoln Center which included plays produced by the Gate, the
Almeida and the Royal Court, as well as films and symposia. The
Gate brought four plays including The Homecoming, starring
Ian Holm and Lia Williams, which later transferred to The Comedy
Theatre; and One for the Road, starring Harold Pinter,
which played at The Ambassadors Theatre. The first Beckett
Festival was produced at the Gate in 1991, in which the theatre
presented all 19 of Samuel Beckett's stage plays in
Dublin
over a three-week period. This Festival was presented again at the
Lincoln Center Festival,
New York
in 1996 and at the Barbican in
London
in 1999. Krapp's Last Tape starring
John Hurt was produced in
Dublin
and
London
in 2000. Michael’s productions of Beckett plays have also been
seen in
Chicago
,
Toronto
and
Melbourne
. Michael was Co-Founder and Executive Director of Little Bird
Production
s, a film and television company based in
Dublin
and
London
. In 1986, he produced the RTÉ television series “Two Lives.”
In 1999, with Alan Moloney, he formed Blue Angel Films
specifically to produce the Beckett on Film series, in which all
19 of Beckett's plays were filmed with internationally renowned
directors and actors. Individual films have been shown in
Cannes
,
Toronto
,
Venice
and
New York
. All 19 have been screened in festival format in
Dublin
in 2000, in
London
in 2001, in
Sydney
in 2002, and now in
Ventura
. The series has won the South Bank Show Award in 2002 and, in the
United States
, the prestigious Peabody Award in 2003. Michael is a Board Member
of the Gate Theatre, the Dublin Theatre Festival and the Laura
Pels Foundation,
New York
.
JUDY
HEGARTY (Director
for “Trilogy”) is from
Cork
in
Ireland
. She has a degree in Fine Art/Mixed Media from Crawford College
of Art and Design in
Cork
and a Post-Graduate Diploma in Dramatherapy from the
University
of
Hertfordshire
. She trained in theatre with Bob Meyer in
Paris
and Philippe Gaulier in
London
. She has directed productions of Waiting
for Godot and Rockaby
by Samuel Beckett as well as The
Possibilities by Howard Barker, The
Dumb Waiter by Harold Pinter and Bouncers
by John Godber. She is currently working on a solo rendition of Lessness
by Samuel Beckett with Irish actress Olwen Fouere to play at
Kilkenny Arts Festival and The National Theatre of Great Britain
in summer 2002.
DAVID
PAYNE (Director,Rockaby)
worked extensively in British Theatre at the Royal Court, Open
Space, Royal Shakespeare Company, Citizen's Theatre,
Glasgow
, Bankside Globe Playhouse, National Theatre, and in
London
's
West End
. Of the plays he directed on the
London
stage, Diary of a Madman
and Masters of War were
the most satisfying personally, but it is the ongoing working
relationships with playwrights such as Trevor Griffiths, Charles
Wood, Nick Darke, and future productions that excite him the most.
Mr. Payne produced the Movies "The Draughtsman's
Contract" and "And Nothing but the Truth," among
others. He recently directed the U.S. Premiere of Nick Darke's The
Body at the Matrix Theatre in
Los Angeles
, and is a Founder Member of Nomad Theatre Company.
DENNIS
REDFIELD (Director,
“Cliff DeYoung in the Collected Works of Samuel Beckett”)
received his M.A. in Theatre from Cal State Los Angeles. In
1967, he was a founding member of the Company Theatre, one of the
first important experimental theatres in
L.A.
There, he acted and directed for fifteen years, while appearing in
numerous film and television roles. In 1979, his Brutus
co-conspired with Cliff DeYoung's Cassius in a vaunted Julius
Caesar at the Matrix Theatre, and he is happy to be
working with Mr. DeYoung on this current project. During the
‘80s and ‘90s, Mr. Redfield conducted an actors'/writer's
workshop at the Fountain Theatre, then performed and directed at
the Actors' Conservatory Ensemble at the Lex Theatre in
Hollywood
. This was followed by a stint as dialogue coach and director
with John Ritter on his TV shows, Hooperman and Hearts
Afire. Mr. Redfield then staged a wonderful cast in
George S. Kaufman's The Butter and Egg Man for the
Company of Angels Theatre. He continues to be active in the
summer series of readings with ACE at the TreePeople Amphitheatre.
JENNY
SULLIVAN (Director,
“Happy Days”) is an Artistic Associate at
Rubicon
, where her credits include Art
with Cliff DeYoung, Joseph Fuqua and Bruce Weitz; Dancing at
Lughnasa with Susan Clark, Bonnie Franklin and Stephanie
Zimbalist; Old Wicked Songs with Harold Gould and Joseph
Fuqua; The Rainmaker with Stephanie Zimbalist; The
Little Foxes with Linda Purl; two casts of Ancestral Voices
with Ed Asner, Tony Franciosa, Mariette Hartley, Michael Learned,
Joseph Fuqua and Joe Spano; and Love Letters with Jack
Lemmon and Felicia Farr. Sullivan was Associate Director for the
L.A.
production of The Vagina Monologues. Also in L.A., Sullivan
directed premieres of Ad Wars at the Court and Tiffany
theatres with David Dukes, Stephanie Zimbalist and John Bennett
Perry; The Cat’s Meow with Joseph Fuqua at the Coast
Playhouse and Matrix theatres; and Against the Glass at the
Court Theatre. Sullivan directed two World Premieres at The
Pasadena Playhouse: Bicoastal Woman with Susan Clark, Chloe
Webb and William Katt; and The Baby Dance with Linda Purl
and Stephanie Zimbalist. She directed productions of the latter at
Williamstown Theatre Festival, Long Wharf Theatre (CT Critics’
Directing Award) and the Lucille Lortel Theatre Off-Broadway. In
her six seasons at Williamstown, Sullivan directed MACS (A
Macaroni Requiem), Defying Gravity, Hotel Oubliette, Dirt and The
Ferry Back. Other regional credits include The Elephant Man
for San Jose Rep, Listen for Wings at Access Theatre, and Mother
Earth/Father Sky and The Shadow Box at the Lobero
Theatre in
Santa Barbara
. Sullivan directed radio plays for “The Play’s the Thing”
Boston
and L.A. TheatreWorks. Her film credits include “Access All
Areas” and “The Next Best Thing” (in which she had the good
fortune to direct her father Barry).
Rubicon
produced the World Premiere of Sullivan’s play J
for J with Jeff Kober and the late John Ritter in 2001. The
production subsequently played at the Court Theatre in
L.A.
BECKETTFEST
– THE PANELISTS, LECTURERS AND OTHER FESTIVAL PARTICIPANTS
H.
PORTER ABBOTT (Panelist/Moderator)
is the author of two books and numerous articles on the work of
Samuel Beckett, and is a past president of the Samuel Beckett
Society. His most recent book on Beckett is “Beckett Writing
Beckett: The Author in the Autograph” (Cornell). Porter is a
Professor of English at the
University
of
California
,
Santa Barbara
.
HERBERT
BLAU (Lecturer/Panelist)
was Co-founder and Co-Director of The Actor’s Workshop of
San Francisco for more than a decade, where he supervised and/or
directed more than 100 plays. His directing credits there included
The Playboy of the Western
World, Summer and Smoke,
Venus Observed, Oedipus
the King, The Balcony,
King Lear, The
Firebugs, Uncle Vanya,
The Crucible, Mother
Courage, The Plough and
the Stars, and Waiting
for Godot. His production of Waiting
for Godot was invited by the State Department to represent the
United States
the Brussels Exposition
and the Seattle Exposition. Herb served as Co-Director of the
Repertory Theater of Lincoln Center in
New York
, where his work included
the American premiere of Georg Buchner’s Danton’s
Death, Jean-Paul Sartre’s The
Condemned of Altona and the world premiere of In
Three Zones. He was Co-Director of the New Theater Festival in
Baltimore and a Consultant to the World Theater Festival in
Denver
. Herb co-founded and was
Artistic Director of the experimental group KRAKEN, a small,
itinerant company dedicated to investigation and process which
included Bill Irwin, Sharon Ott and Julie Taymor. Each work took a
year or more to generate through collective inquiry, after which
it was widely toured. Herb directed “Jacob’s Room,” a
chamber opera which premiered at the American Music Theater
Festival in
Philadelphia
and opened in
New York
in 1993 before touring
in the
U.S.
and abroad. Herb is
currently on the English faculty of the
University
of
Washington
. He has taught at
New York
University
,
Oberlin
College
,
University
of
Maryland-Baltimore
,
University
of
Wisconsin
, and been a Visiting
Professor at the
University
of
Giessen
and the
University
of
Mainz
in German, the
University
of
Bosphoros
in
Turkey
, and the
University
of
Copenhagan
in
Denmark
. Herb has written
numerous books and articles on theatre and on the works of Samuel
Beckett, whom he knew personally and with whom he had the pleasure
of working for many years.
JOHN
BLONDELL (Panelist/Moderator)
is Founder and Director of the Lit Moon Theatre
Company, an award-winning physical theatre ensemble, and is
Founder of the Lit Moon World Theater Festival, an international
theatre festival produced yearly at
Santa Barbara
's Center Stage Theater. For Lit Moon, John has staged 10
productions, including Alice in Wonderland (Independent
Theatre Award, 1992), Through the Looking Glass, Peer Gynt, The
Diary of a Madman (European Month of Culture participant,
Plovdiv Bulgaria, 2000), and Henry V (Independent
Theatre Award, 2000). He has programmed three world theatre
festivals, producing companies from
Bulgaria
,
Russia
,
Hungary
and
Germany
, receiving an Independent Theatre
Award for the 1999 festival. John is Associate Professor and Chair
of the Westmont College Theatre Arts Department. He teaches
classes in Acting, Dramatic Literature and Theory, and Theatre
History, and directs regularly for the producing arm of the
department, the Westmont Classical Repertory Theatre. John has
directed a wide range of popular and critically acclaimed plays
for WCRT, including Peter Pan (Best
Production
of 1989, Santa Barbara
News-Press), A Midsummer Night's Dream, Othello, The Blue
Bird, The Government Inspector, and The Critic (Independent
Theatre Award, 2000). In addition, John’s work has attracted
a number of local and regional grants, including awards from the
Santa Barbara Foundation and the Santa Barbara Arts Commission. He
holds a Ph.D. in Dramatic Art from the
University
of
California
,
Santa Barbara
.
KARYL
LYNN BURNS (
Rubicon
Producing Artistic Director/Festival Director)
co-founded
Rubicon
Theatre Company with her husband James O’Neil. Together they
have produced more than 35 productions for the company, developed
co-producing relationships with organizations in the Western
United States and in Canada, managed tours of
Rubicon
productions, overseen and taught in the company’s education
programs, and launched the company’s Plays-in-Progress program.
Prior to starting
Rubicon
, Karyl Lynn was CEO of State of the Arts, a non-profit arts
management and marketing firm in
Santa Barbara
. Her arts clients included the Ventura Chamber Music Festival,
New West Symphony, Santa Barbara Civic Light Opera, Ensemble
Theatre Company, PCPA Theaterfest, Broadway Producer Normand Kurtz
and Tony Award-winning playwright Dale Wasserman. Karyl Lynn
co-founded ArtCom, an alliance of Tri-Counties arts organizations.
She has served on the Downtown Cultural District Committee for the
City of
Ventura
, and the Events & Festivals Committee and Arts Advisory
Committees for the City of
Santa Barbara
. She is a past president of the Board of Access Theatre, a
company which integrated the talents of disabled and non-disabled
performers. In the arena of event planning, Karyl Lynn produced
the 10th Annual “Cool Comedy - Hot Cuisine,”
which featured Robin Williams, Bob Costas and Rodney Dangerfield.
She managed and promoted a fundraising concert with singer Sheryl
Crow as a charity benefit at the Santa Barbara County Bowl. For
“Capps for Congress,” Karyl Lynn coordinated a 400-person
luncheon with First Lady Hillary Clinton as keynote speaker. For
The Dream Foundation, she produced a national PSA starring Jeff
Bridges that aired on all domestic United Airlines flights. Karyl
Lynn recently received the Friend of Education Award from the
California State Board of Education and the
Ventura
Unified
School District
for
Rubicon
Theatre Company’s early efforts related to education outreach.
She also received the Friend of Tourism Award from the Ventura
Visitors Bureau and the Chamber of Commerce. Karyl Lynn is a
professional actress and has played dozens of roles on stage. Her
credits include Rose in Dancing at Lughnasa and Birdie in The
Little Foxes for
Rubicon
(Backstage West Garland Award Honorable Mention, Robby
Award Nomination), Irene in Crazy for You for Santa Barbara
Civic Light Opera, Shirley Valentine for
Rubicon
(Rep Award), at Center Stage (Independent Theatre Critics
Award), and in Solvang; Adelaide in Guys and Dolls for
Santa Barbara Civic Light Opera (Drama-Logue Award/Independent
Theatre Critics Award); and Catherine in The Heiress for
Ensemble Theatre Company (Robby Award Nomination). On television
she played Nellie on "Against the Grain" and was also
seen on "Another World" and "Aaron's Way."
Karyl Lynn and Jim are ever-grateful to Mr. Asmus, Mr. Colgan, Mr.
McGovern and the rest of the cast of the 1991 production of Waiting
for Godot for planting seeds that have blossomed into this
BeckettFest.
JOSEPH
FUQUA (Moderator)
is
Rubicon
Theatre Company’s first company member. He has appeared on and
Off-Broadway in
Brighton
Beach
Memoirs, 110 in the Shade (
Lincoln
Center
), Raft of the Medusa and Yours, Anne. Regionally,
Joseph played Octavius Caesar in Antony and Cleopatra at
Actor’s Theatre of Louisville, Alexei in A Month in the
Country at the Arena Stage, Iago in Othello at the
Dallas Shakespeare Festival and Louis in Angels in America at
the
Dallas
Theatre
Center
. Joseph guest starred on “The X-Files,” “The Profiler,”
“Brooklyn South,” “The Pretender,” “Chicago Hope,”
“Star Trek: Deep Space Nine” and “Becker.” On film, he has
appeared in “Ed’s Next Move,” “David Searching,”
“Heyday,” and as J.E.B. Stuart in “
Gettysburg
,” a role he reprised in the Warner Brothers film “Gods and
Generals” with Robert Duvall.
L.A.
audiences have seen Joseph in The Cat’s Meow (Drama-Logue
Award), Very Truly Yours, On the Jump at South Coast
Rep, and All My Sons at the International City/Theatre of
Long Beach
. He made his professional directorial debut with J for J (featuring
Jenny Sullivan and the late great, John Ritter), presented by
Rubicon
Theatre and 11th Hour
Production
s at the Court Theatre. For
Rubicon
, Joseph has appeared in A Streetcar Named Desire, Dancing at
Lughnasa, The Boys Next Door (Independent
Award), Old Wicked Songs, Murder in the First (World
Premiere), The Rainmaker (Robby Award and Rep Award), The
Little Foxes, The Glass Menagerie, Art and All My Sons.
Joseph received his MFA from Yale School of Drama. When not on
stage, he directs projects for
Rubicon
’s Young Professionals program and teaches adult acting.
JESSICA
KUBZANSKY (Panelist)
is the Co-Artistic Director of The Theatre at
Boston Court
,
Pasadena
's newest intimate performing arts complex. Kubzansky is an
award-winning director working around the country in venues as
diverse as The Geffen Playhouse, Portland Center Stage, the Mark
Taper Forum New Works, the American Stage Co., The Boston Publick,
London's Old Red Lion, Edinburgh's Assembly Rooms, to name a few.
Most recent work includes Julia Cho's BFE
(Portland Center Stage JAW/WEST), The
Two Gentleman of Verona (Illinois Shakespeare Festival), Bryan
Davidson's award-winning War
Music (Geffen Playhouse), Cody Henderson's Cold/Tender
(The Theatre at Boston Court), Sheila Callaghan's Kate
Crackernuts (24th Street Theatre), the multi-Ovation-winning Toys
in the Attic (The Colony), the Salamone/McIntyre musical Moscow
(Chekhov Now Festival, NYC), Measure
for Measure (A Noise Within), David Hare's Amy’s
View (International City Theatre), and many, many others.
Kubzansky recently received the LA Drama Critics’ Circle Award
for Sustained Excellence in Theatre.
ALAN
MANDELL (Panelist)
is an actor and director who collaborated with Samuel Beckett on
several occasions. Mr. Mandell’s
New York
acting credits
include Impossible Marriage
on Broadway, Waiting for
Godot, Orphee and,
recently, The Beard of Avon
Off-Broadway. In L.A., he has been seen in The
Royal Family at the Ahmanson; Our
Lady of 121st Street, Things
You Shouldn’t Say Past Midnight and Synergy
for L.A. Theatreworks; the English-language premiere of Company
by Samuel Beckett (which he was invited to perform in Madrid);
and Reza Adboh’s The
Hip-Hop Waltz of Eurydice (also presented in Montreal and
Barcelona). Regionally credits: South Coast Repertory Theatre,
Santa Fe Stages, Virginia Stage Company, the Long Wharf Theatre
and L.A.A.T. Mandell recreated his role of Lucky in the 40th
Anniversary production of Waiting
for Godot in
America
at
Miami
’s Coconut
Grove Playhouse. On film, he plays the role of Nagg and recreates
Samuel Beckett’s stage direction of Endgame
in the 16mm film released by the Smithsonian Institution. Other
film credits include “The Marrying Man,” “Endgame,”
Midnight Witness” and “Hedwig and the Angry Inch.”
Television credits include features such as “Blind Ambition,”
“Enemies,” “Princess Daisy” and “Dark Victory”; and
numerous series. Mandell was Consulting Director at the
L.A.
Theatre
Center
and producer of
LATC’s highly acclaimed Poetry/Literary Series. For LATC, he
directed Harold Pinter’s The
Birthday Party and The
Caretaker, also Samuel Beckett’s Happy
Days and Strindberg’s The
Dance of Death, among others. For LAAT, he directed 3
by Beckett, The
Quannapowit Quartet, Walking
to Waldheim, Happiness
and Social Security. He
has also directed Mayo Simon’s Old
Lady’s Guide to Survival off-Broadway, for the Actor’s
Theater of Louisville, and at the Pittsburgh Public Theater. He is
the recipient of many awards, including the L.A.
Weekly Career Achievement Award. Mandell served as actor,
director and general manager for both the famed San Francisco
Actor’s Workshop and for the Repertory Theater of Lincoln Center
in
New York
. After
co-founding the San Quentin Drama Workshop (where he taught acting
and directing to prison inmates), he performed on tour through
Paris and Germany with the Workshop’s original productions of Waiting
for Godot and Endgame,
both directed by Samuel Beckett. He previously performed Endgame
at
Dublin
’s Abbey
Theater, in
London
’s
West End
and on tour in
Italy
. Mandell
recreated his performance in the Felix Mitterer monodrama
Siberia
at the
International Theatre Institute Festival in
Moscow
.
JAMES
O’NEIL (
Rubicon
Artistic Director)
co-founded
Rubicon
Theatre Company in 1998 with his wife
Karyl Lynn Burns
. His
Rubicon
directing credits include A Streetcar Named Desire with
Linda Purl (Indie Award), Driving Miss Daisy with
Michael Learned, All My
Sons with George Ball and Robin Pearson Rose, Sylvia
with Joe Spano, The Glass Menagerie with Susan Clark, Jesus
Christ Superstar with Ted Neeley and Carl Anderson, Love
Letters with numerous casts, including Amanda McBroom and
George Ball, and Romeo and Juliet at Bella Maggiore Inn and
in area schools. Jim’s upcoming directing projects include an
international co-production this fall of The Night of the
Iguana with Stephanie Zimbalist and Efrem Zimbalist, Jr. for
Rubicon
and Manitoba Theatre Centre, and two new plays by Dale Wasserman
during
Rubicon
's just-announced Wasserman Festival. Prior to starting
Rubicon
, Jim worked for more than 25 years in the theatre as a producer,
director and actor. He received his BFA in Theatre from California
Institute of the Arts. While on staff at Landmark Entertainment
Group in
L.A.
, Jim directed a multi-million animatronic/special effects show in
Japan
, and supervised all aspects of production and creative direction
for several themed attractions for Sanrio’s
Harmonyland
Park
in
Oita
,
Japan
. As Associate Producer/Artistic Associate for the Santa Barbara
Repertory Theatre, Jim directed a new works program, working with
playwrights through the process of development and production. As
a freelance director, he has directed productions including The
Lion in Winter, The Petrified Forest, Inherit the
Wind and regional premieres of John Ford Noonan’s A
Coupla White Chicks… and
Rupert
Homes
’ The Mystery of Edwin Drood. As an actor, Jim received
rave reviews in the role of Pontius Pilate in the National Tour of
Jesus Christ Superstar. Other roles include Dr. Prospero in
the American regional premiere of Return to the Forbidden
Planet at Hallmark’s Heartland Theatre in
Kansas City
, John Adams in 1776, John in Oleanna by David Mamet,
John in Terrence McNally’s Lips Together Teeth Apart, The
Duke/Dr. Carrasco in Man of La Mancha and Adam in the first
reading of Dale Wasserman’s Western Star. Jim has also
performed with ANTA West, Alabama Shakespeare Festival and
Ensemble Theatre Company. For
Rubicon
, Jim has appeared in The Devil’s Disciple, The Little
Foxes, Dancing at Lughnasa and The Rainmaker,
among others. Jim is the recipient of an “Outstanding
Contribution to the Theatre” Rep Award and a “Friend of
Education” Award from the California State Board of Education on
behalf of
Rubicon
’s outreach programs.
MICHELINE
SAKHAROFF (Lecturer/Panelist)
is Professor Emeritus of French Literature at
California
State
University
at Northridge. She Chaired the Foreign Language and Literature
Department at CSU from 1970 to 1975, and was the Dean of Graduate
Studies from 1976 to 1977. Dr. Sakharoff has taught numerous
courses dealing with the French Theatre, giving particular
attention t the relationship between the Classical Seventeenth
Century Theatre and the new forms of the avant-garde theatre of
our epoch.
STEVEN
SCHIPPER (Panelist)
has been the Artistic Director of the Manitoba Theatre Centre of
Winnipeg, Canada, for the past fifteen seasons. During his tenure
at MTC, Schipper is credited with enhancing the company's artistry
and developing a new base of audience members and donors. Trained
at
McGill
University
, Bishop's University, and the National Theatre School of Canada,
Steven has directed many productions for MTC, including the
Canadian Premiere of Neil Simon’s Proposals and Steve
Martin’s Picasso at the Lapin Agile, as well as the World
Premiere of Manitoba playwright Maureen Hunter's Atlantis.
Additional credits include The Last Night of Ballyhoo and
A Shayna Maidel for the Saidye Bronfman Centre and the
Winnipeg Jewish Theatre, Tropical Madness at the Shaw
Festival and Romeo and Juliet at the Stratford Festival.
JOHN
SLADE (Panelist) is
an educator who, from experience, believes that students “get
Beckett.” For thirty years, Slade has also been a professional
actor and director. He has brought humor and menace to numerous
cop, lawyer, and bad-guy guest star roles on network television,
and in such films as Slam Dance, Titanic and L.A.
Confidential. His stage credits include the title role in
Shakespeare’s King John (L.A. Drama Critics’ Circle, L.A.
Weekly, and Drama-Logue
awards); and Vaclav’s Havel’s Temptation (with
Robin Gammell) at the Mark Taper Forum. Slade won a Drama-Logue
award for his direction of Shakespeare’s Henry V. He
directed Quilters for Santa Susanna Rep, Kentucky Cycle
at Loyola Marymount, and An’ Push da Wind Down at USC.
(The latter won the American College Theatre Festival Award and
was presented at the
Kennedy
Center
in
Washington
,
D.C.
) Slade adapted and directed Crockett, By Himself for Santa
Susana Rep (which was later performed at Cumberland County
Playhouse in
Tennessee
). He won Valley Theatre League Awards as writer and director for
his adaptation of Shelby Foote’s Civil War novel
Shiloh
, which played at the Thousand Oaks (T.O.)
Civic
Arts
Plaza
before transferring to
South Carolina
for a summer run. Slade recently directed Henry V for the
Kingsmen Shakespeare Festival, also in T.O. An Ojai resident,
Slade directed Twelfth Night, Romeo & Juliet, and his
own adaptation of Henry IV, parts 1 and 2, for the Ojai
Shakespeare Festival, and Our Town for the
Ojai
Arts
Center
.
Nordhoff
High School
invited John to develop its drama program, and he now enjoys
teaching there full-time. On Theatre 150’s
"in-your-face" stage, he directed a Waiting for Godot
with four of his students.
WHERE
TO BECKETTFEST –
Coming
from out of the area? May we recommend...
Pierpont
Inn and Racquet Club
550
Sanjon Blvd.
Ventura,
CA 93001 (805) 653-6144
http://www.pierpontinn.org/
OFFICIAL
HOTEL SPONSOR
Enjoy
Beckett by the beach! Save up to 45% on 1 to 4-day BeckettFest
2004 hotel packages. All packages include complimentary hot
breakfast in Austen’s ocean view restaurant Monday through
Saturday (not Sunday) morning served in the dining room 6:30 am to
8:30 am and passes to the club. Please provide preference of two
queen beds or 1 king bed. The Pierpont Inn is an historic
Craftsman-style hotel with small town hospitality and big-city
service. The hotel is just a five-minute stroll from the ocean and
close to
Rubicon
,
Ventura
’s Downtown Cultural District and the movie theatre.
Hotel
package rates for BeckettFest attendees at Pierpont Inn (savings
of up to 45%)
Package
Midweek
Weekend
1
night
$85
$95
2
nights
$170
$190
3
nights
$255
$285
4
nights
$340
$380
We
also recommend the following hotels in the area:
Holiday
Inn
Ventura
Marriott Beach Hotel
The Oaks Spa in Ojai
450
E. Harbor Blvd. 2055
Harbor Blvd.
122 E. Ojai Ave., Ojai
(805)
648-7731 (805)
643-6000
(805) 646-5573
Other
nearby properties range from Motel 6, to Best Western to the
Victorian Rose Bed-and-Breakfast (just a block away) to the
Biltmore and San Ysidro Ranch in Santa Barbara
Need
more info? Call the
Ventura
Visitors and Convention
Bureau, toll-free in the
U.S.
, at
(800)
483-6217 or call (805) 648-2075
Or
to go to www.ventura-usa.com
Look
for the starfish on our building to locate our welcome center at
89
S. California
(
California
and
Santa Clara
) in
Ventura
’s Downtown Cultural District. Let us introduce you to the
hidden cultural treasures in
Ventura
.
HOW
TO BECKETTFEST
Passes
(Save 50% or more!)
Regular
Event Single Tickets $10 - $45
Special
Event Single Tickets (see
above)
Student
Flex
Pass
* (good for all events all days except galas and dinners) $75
BeckettFest
2-day
Flex
Pass
(any events over two days other than galas or dinners) $90
BeckettFest
4-day Flex pass (any events over four days other than galas or
dinners) $175
Full
Festival Pass $750 (access to everything except Artistic
Director’s Tasting Dinner - including dinners and opening gala)
Premium
Patron Pass $1,800 (includes all events including gala and
Artistic Director’s Tasting Dinner, plus reserved VIP seating at
each event, plus a $700 tax-deductible contribution to RTC.)
*Must
be high school, college or graduate student enrolled in an
accredited institution for at least 12 hours
For
further information or single tickets, call the RUBICON THEATRE
COMPANY at 805/667-2900.
For
press information or press comps, contact David Elzer/DEMAND PR at
818/508-1754 or at ElzerD@aol.com.
Rubicon
Theatre Company is
Ventura
County
’s
premiere non-profit professional theatre company.
Founded in 1998 by Artistic Directors James O’Neil and
Karyl
Lynn Burns
,
the mission of the company is to present a diverse season of
classic and contemporary comedies, dramas and musicals for the
entertainment, enrichment and education of residents and visitors
to the region.
Rubicon
was declared the “anchor” of
Ventura
’s
Downtown Cultural District by City Council proclamation. Under the
leadership of Managing Director
Norbert
Tan
,
Rubicon
has recently completed a
Downpayment
Drive
to purchase the historic church in which the Company has resided
since 1999. For a
brochure about the upcoming 2004-2005 season, call (805) 667-2900
or visit http://www.rubicontheatre.org/